#Print line xpressive how to#

Your assignment for this week is to draw a single word or short phrase by hand, inДЄ way that makes it clear that it is customized. Lettering, but nothing is quite like true hand-lettering. OpenType fonts have so many ligature options that they can look pretty close to hand Hand-drawn lettering is unique from a вЂњtypefaceвЂќ in that it hasД¬ustom forms that couldnвЂ™t result from just typing out letters on your keyboard. Typefaces with several widths are very helpful in this kind of challenge in allowing you to fill space with shorter words or cram a longer word in a smaller area.Д¬ustom hand-drawn type is a tough skill to master, but one you only get better at One last tip: it is a good idea to work with fonts with multiple widths-Knockout being the most notorious, but many popular typefaces will have narrow/condensed/compressed or extended versions. There is a lot to think about with this assignment, and it is good to attack it in stages, so doing a rough layout before you start picking fonts can help you tackle one task at a time. IвЂ™d also recommend that you do a couple rough sketches of how youвЂ™d like to arrange your page to help figure out elements youвЂ™d like to emphasize before you start in on picking fonts. Either try to identify a word that might work with minimal ascenders and descenders, or try to come up with a creative way to fill those empty spaces with decorative elements, or custom adjustments to the ascenders/descenders that fill the space. There is nothing really wrong with going the all cap route, but it can be nice to break it up with lowercase. The easy way around it is to just use all caps (as the example on the left does).

#Print line xpressive how to#

ItвЂ™s nice to have the interest spread throughout, but you want a compelling entry point to encourage people to start at the beginning and read the whole thing.ДЄnother common challenge that comes up in this assignment is how to handle the empty space left by ascenders and descenders when using lower case. Also, try to create an interesting beginning to your layout. Try to use different hierarchical techniques (color, a contrasting typeface) throughout your composition, donвЂ™t just make the important things big every time. YouвЂ™ll either run out of room or run out of energy toward the end. DonвЂ™t just start at the beginning in the upper left and go from there. You should start by picking out the most important parts of your text and setting them in a way that emphasizes them-either by size or color or boldness or typeface contrast (setting something in a typeface totally different than the type around it). IвЂ™d recommend you pay closest attention to hierarchy. The content of this collage is yours to choose, but if you have any trouble coming up with an idea IвЂ™ve got a few tried and true examples you could use. One of the main challenges is eliminating awkward gaps and white spaces, and getting all of the type to come together in an organized and readable way that looks effortless. Creating a composition like this is a bit like putting together a puzzle. Your assignment is to make a typography вЂcollageвЂ™ that takes a short list, a phrase, a poem/lyric, or a narrative and arrange it into a single composition that considers the style and hierarchy of that content. This week youвЂ™ll be making a вЂњposterвЂќ that will be combining some of the lessons from previous weeks. So far this quarter weвЂ™ve worked with a few different ways to work with and alter typography.